Jimi Hendrix Record Value


Auction: The Jimi Hendrix Experience "Electric Ladyland" Reprise 2 RS 6307 2 tone 1968

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Title The Jimi Hendrix Experience "Electric Ladyland" Reprise 2 RS 6307 2 tone 1968
Ended true
Sold true
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Price USD 27.04
The Jimi Hendrix Experience "Electric Ladyland" Reprise 2 RS 6307 2 tone 1968  , thumbnail_release12_323510200771.jpg

Auction Description

The Jimi Hendrix Experience ‎ "Electric Ladyland"  Reprise Records ‎2 RS 6307  US 1st press
2 × Stereo Vinyl, LPs, housed in a gate-fold sleeve and released in 1968. This is a first pressing with Warner 7Arts/Reprise 'disc' logo and orange/yellow two-tone labels (later issues have tan label & square red Reprise logo.).

Both albums have several surface marks, but played through beautifully on my elderly stereo - no hop, stick or jump, although there is the odd crackle between tracks. The labels are  orange/yellow two-tone. The LPs are housed in a gate-fold sleeve which has some ring-wear front and back but it is intact - no rips or writing. The spine is intact and legible.
Matrix / Runout (Runout Side A): 30799 2RS 6307 A -1D
Matrix / Runout (Runout Side B): 30800 2RS 6307-BB 1E
Matrix / Runout (Runout Side C): 30801 2RS 6307- C 1E. 
Matrix / Runout (Runout Side D): 30802 2RS 6307D -1G

"Electric Ladyland" is the third and final studio album by English-American rock band the Jimi Hendrix Experience. Released by Reprise Records in North America and Track Records in the UK in October 1968, the double album was the only record from the band produced by Jimi Hendrix. By mid-November, it had charted at number one in the United States, where it spent two weeks at the top spot. "Electric Ladyland" was the Experience's most commercially successful release and their only number one album. It peaked at number six in the UK, where it spent 12 weeks on the chart.

"Electric Ladyland" included a cover of the Bob Dylan song, "All Along the Watchtower", which became the Experience's highest-selling single and their only top 40 hit in the US, peaking at number 20; the single reached number five in the UK. Although the album confounded critics in 1968, it has since been viewed as Hendrix's best work and one of the greatest rock records of all time. "Electric Ladyland" has been featured on many greatest-album lists, including Q magazine's 2003 list of the 100 greatest albums and Rolling Stone's list of the 500 greatest albums of all time, on which it was ranked 55th.

The Experience began recording the songs that later appear on "Electric Ladyland" at several studios in the US and UK in between July 1967 and January 1968. Recording resumed on April 18, 1968, at the newly opened Record Plant Studios in New York City, with Chas Chandler as producer and engineers Eddie Kramer and Gary Kellgren. As recording progressed, Chandler became increasingly frustrated with Hendrix's perfectionism and his demands for repeated takes. Hendrix allowed friends and guests to join them in the studio, which contributed to a chaotic and crowded environment in the control room and led Chandler to sever his professional relationship with Hendrix. Bassist Noel Redding recalled: "There were tons of people in the studio; you couldn't move. It was a party, not a session."

Redding, who had formed his own band in mid-1968, Fat Mattress, found it increasingly difficult to fulfill his commitments with the Experience, so Hendrix played many of the bass parts on "Electric Ladyland". The album's cover states that it was "produced and directed by Jimi Hendrix". The double LP was the only Experience album mixed entirely in stereo.

Hendrix experimented with other combinations of musicians, including Jefferson Airplane's Jack Casady and Traffic's Steve Winwood, who played bass and organ on the fifteen-minute slow-blues jam "Voodoo Chile". Hendrix appeared at an impromptu jam with B.B. King, Al Kooper, and Elvin Bishop.

Hendrix was famous for his studio perfectionism; he and drummer Mitch Mitchell recorded over 50 takes of "Gypsy Eyes" over three sessions. Hendrix was insecure about his voice and often recorded his vocals hidden behind studio screens. He sang backing vocals himself on the title track and on "Long Hot Summer Night".

According to music journalist David Stubbs, "Electric Ladyland" is "undoubtedly a rock album, albeit rock on the point of evolving into something else." Uncut magazine's John Robinson said that its music reconciles the psychedelic pop of Hendrix's earlier recordings with the aggressive funk he would explore on his 1970 album "Band of Gypsys". During its recording, Kramer experimented with innovative studio techniques such as backmasking, chorus effect, echo, and flanging, which AllMusic's Cub Koda said recontextualized Hendrix's psychedelic and funk sounds on the album.

"Electric Ladyland" is a cross-section of Hendrix's wide range of musical talent. It includes examples of several genres and styles of music: the psychedelic "Burning of the Midnight Lamp", a UK single the previous summer (1967), the extended blues jam "Voodoo Chile", the New Orleans-style R&B of Earl King's "Come On", the epic studio production of "1983... (A Merman I Should Turn to Be)", the social commentary of "House Burning Down", and the Sixties-era Britpop of Noel Redding's "Little Miss Strange". The album also features an electric reworking of the Bob Dylan classic "All Along the Watchtower", which has been well received by critics as well as by Dylan himself, and also "Voodoo Child (Slight Return)", a staple of both radio and guitar repertoire. Rolling Stone's Holly George-Warren praised "Crosstown Traffic" for its hard rock guitar riff.

"All Along the Watchtower" became the band's highest-selling single and their only US top 40 hit, peaking at number 20; it reached number five in the UK. The album also included one of Hendrix's most prominent uses of a wah-wah pedal, on "Burning of the Midnight Lamp", which reached number 18 in the UK charts.

Hendrix had written to Reprise describing what he wanted for the cover art, but was mostly ignored. He expressly asked for a colour photo by Linda Eastman of the group sitting with children on a sculpture from Alice in Wonderland in Central Park, and drew a picture of it for reference. The company instead used a blurred red and yellow photo of his head while performing at Saville Theatre, taken by Karl Ferris.

"Electric Ladyland" confounded contemporary critics; reviewers praised some of its songs but felt the album lacked structure and sounded too dense. Melody Maker called it "mixed-up and muddled", with the exception of "All Along the Watchtower", which the magazine called a masterpiece. In a negative review for Rolling Stone, Tony Glover preferred the less difficult "Little Miss Strange" to songs such as "Voodoo Chile" and "1983", which he said were marred by reactively harsh playing. Robert Christgau was more enthusiastic in Stereo Review, regarding it as an explosive showcase of rock's "most important recent innovation"—the "heavy" guitar aesthetic—and "an integrated work-in-itself in more ways than one". He found the production exceptional—"the best job of stereo for its own sake I know"—and was surprisingly impressed by the quality of the lyrics. While most guitarists in rock believed improvisation to be a straightforward endeavor, Christgau said "Hendrix achieves unique effects, effects you'll never get from Kenny Burrell", citing "Voodoo Chile" as an example. He later named "Electric Ladyland" the fifth-best album of 1968 in his ballot for Jazz & Pop magazine's critics poll.

Over time, "Electric Ladyland'"s critical standing improved significantly, with author and musicologist John Perry describing it as "one of the greatest double-albums in Rock." According to author Michael Heatley, "most critics agree" that the album was "the fullest realization of Jimi's far-reaching ambitions"; Guitar World editor Noe Goldwasser called it his greatest work. The record was also deemed an essential hard rock album in Tom Larson's 2004 book History of Rock and Roll, and Clash reviewer Robin Murray viewed it as a "true classic of the psychedelic rock era". In a retrospective review for Blender, Christgau wrote that it was the definitive work of psychedelic music, describing the record as "an aural utopia that accommodates both ingrained conflict and sweet, vague spiritual yearnings, held together by a master musician". In Charlotte Greig's opinion, much like "Are You Experienced", "Electric Ladyland" was "groundbreaking, introducing audiences to a style of psychedelic rock rooted in the blues".

"Electric Ladyland" has been featured on many greatest album lists, including a number 10 ranking on Classic Rock magazine's list of the 100 Greatest Rock Albums Ever, and number 37 on The Times' 100 Best Albums of All Time. Music journalist and author Peter Doggett argued that it is very likely the greatest rock album of all time because of its exceptional concept, artful melodies, experimentation, and skilled musicianship, which he felt remains unparalleled by any other rock artist. In 2003, Q magazine included it on its list of the 100 greatest albums ever, while Rolling Stone ranked it 54th on its list of the 500 greatest albums of all time.
statistics for auctions of this release
Release Name Electric Ladyland
Catalogue 2RS 6307
Sold auctions 300
Running auctions 33
Maximum paid $332.98
Minimum paid $0.99
Average paid $22.88
Popularity 41% of all auctions for this release were sold.